The crystallization of movement,

The crestation of the flower,

The Two-Headed Cow

Anemoia

Asociación Anemoia is the crystallization of a collective project of artists and researchers that operates like a mycelial network: fragmented yet hyperconnected. The members of the collective are based in different cities (Santa Úrsula, Stockholm, Seville, Valencia, and Madrid), maintaining an organic and constant connection among ourselves and with the broader cultural ecosystem. Our practice investigates, both collectively and individually, the relationship between people and images, prophetic times, and landscapes as embodiments of specific temporalities. Our methodology is characterized by differentiated stages of work: a deep theoretical exploration that precedes and grounds subsequent artistic experimentation.

Flecha negra apuntando a la derecha sobre fondo negro.

Arturo López Domingo

Hombre con barba y gafas, sin camisa, con tatuaje en el pecho, usando shorts grises y descalzo.

An anthropologist and cultural manager, he is the president of the association. As project director at Fundación Épica La Fura dels Baus (2024), he led the creation and presentation of La Hammada within the Kalliópê#3 artistic residency. He recently participated as a fellow at Galería Herrero de Tejada (2024–2025), where he developed practices in cultural management. Previously, as logistics manager at GÄRNA Gallery (2024), he oversaw artists, inventories, and public relations. His experience includes lectures at the Instituto de Estudios Canarios (2023) on the anthropology of the image and hyperreality, and practices at the Research and Innovation Group in Design (2022) focused on sustainability and community engagement. A chapter by him was recently published in the 67th IECAN Yearbook: El ecosistema turbio: un laberinto de espejos, un reino de semejanzas; el devenir glitch.

Misael Niceto

Un niño con gafas, con cabello rizado y manga larga, risueño, junto a una niña con cabello rizado y ojos cerrados, en un ambiente interior.

Art historian, composer, and vice president. His career combines cultural management, research, and sound creation. Recently, as a fellow at INDEX Foundation (Stockholm, 2024), he managed programming and visitor reception at a contemporary art space, also assisting with curatorial tasks. As a composer, he has created original soundtracks for short films such as NOAH (2021) and La Danza de las Manos (2022), demonstrating a narrative capacity that he brings to the collective’s visual projects through experimentation with the ambient genre. His theoretical research focuses on art theory, particularly the relationship between medium, image, and animality, having explored areas such as artistic creation within the furry community and animal imagery in Sámi culture.

Flecha gris apuntando hacia la derecha.

Fran García Gómez

Hombre joven sonriendo, usando ropa blanca y calcetines, apuntando con un dedo, con tatuajes en los brazos, y expresión de alegría.

Artist and content creator, they are the secretary and social media manager of the association. As a performer for Fundació Per Amor a L’Art – Bombas Gens (2023), they participated in Antoni Miralda’s Honeymoon Project. Their experience in 3D modeling was developed at TFAnimation (2022), where they worked with Blender and held a coordination role. As an independent artist, they have participated in various exhibitions, such as CATH (Canarias At The Hotel, 2021), creating site-specific work in Montaña Roja, Tenerife, and Ecdisis, a self-managed exhibition by Fine Arts students at Universidad de La Laguna. Their practice combines performance, visual arts, and communication. While pursuing the Master in Artistic Production at Universitat Politècnica de València, they focused on the artistic and conceptual exploration of datamoshing. Over the past two years, they have been developing a research project centered on the aesthetic and theoretical connections between different transhumanist and queer theories within artistic and digital spaces.

María González Palacios

Una persona con el cabello rizado, gafas grandes, camiseta verde, jeans y zapatillas blancas, en posición de cuclillas.

Art historian and developer, she has recently completed simultaneously the Master’s in Cultural Heritage in the 21st Century (UCM) and the Expert Course in Technologies Applied to Cultural Heritage (UNED, 2024), specializing in augmented/virtual reality and web development. Her training includes cultural management, heritage interpretation, and audience research. As a graduate in Art History from the University of Seville (2023), her undergraduate thesis analyzed the OXO Málaga Video Game Museum, combining heritage research with studies on cultural industries and new technologies. Her Master’s thesis, titled Present and Future of Virtual Reconstructions in Cultural Management: The Case of the Archaeological Site ‘El Acequión’ (Albacete), examines the use and regulations of computer graphics in virtual archaeology, focusing on anastylosis and virtual reconstruction, and addressing the emerging field of archaeological information modeling (ArchaeoBIM).

Flecha gris apuntando a la derecha con fondo transparente.

Enrique Taibo Padrón

Hombre con gafas de sol oscuras y cabello oscuro peinado hacia atrás, usando una chaqueta de mezclilla negra y una camiseta roja, sosteniendo un vaso con bebida y hielo, visto desde arriba.

Click the images to connect.

Finishing his Law studies, he serves as the jurist and advisor of our association. Part of the association’s secretariat, he is the only member professionally outside the arts, though he brings his own curiosity and interest to the collective’s activities.

Based in Santa Cruz de Tenerife, he dedicates his efforts to administrative work, document management, and keeping the collective organized.

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